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2015 Australian moving-picture show by George Miller

Mad Max: Fury Route
A man muzzled, standing and pointing a gun in one direction. A woman crouched beside him pointing her gun in the opposite direction. The title in large letters fills background.

Australian theatrical release affiche
Directed by George Miller
Written past
  • George Miller
  • Brendan McCarthy
  • Nico Lathouris
Produced past
  • Doug Mitchell
  • George Miller
  • PJ Voeten
Starring
  • Tom Hardy
  • Charlize Theron
  • Nicholas Hoult
  • Hugh Keays-Byrne
  • Rosie Huntington-Whiteley
  • Riley Keough
  • Zoë Kravitz
  • Abbey Lee
  • Courtney Eaton
Cinematography John Seale
Edited by Margaret Sixel
Music by Junkie XL

Production
companies
  • Village Roadshow Pictures
  • Kennedy Miller Mitchell[1]
  • RatPac-Dune Entertainment[two]
Distributed past
  • Roadshow Entertainment (Commonwealth of australia)[3]
  • Warner Bros. Pictures (International)[three]

Release dates
  • 7 May 2015 (2015-05-07) (TCL Chinese Theatre)
  • 14 May 2015 (2015-05-14) (Commonwealth of australia)

Running time

 120 minutes[4]
Country Commonwealth of australia
Linguistic communication English language
Budget $154.6–185.1 million[5]
Box part $374.7 million[half dozen]

Mad Max: Fury Road is a 2015 Australian post-apocalyptic action picture show co-written, co-produced, and directed by George Miller. Miller collaborated with Brendan McCarthy and Nico Lathouris on the screenplay. The fourth instalment and a "revisiting"[7] of the Mad Max franchise, information technology was produced past Village Roadshow Pictures, Kennedy Miller Mitchell and RatPac-Dune Amusement and distributed by Roadshow Amusement in Australia and by Warner Bros. Pictures internationally. The film stars Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, and Courtney Eaton. Fix in a mail service-apocalyptic desert wasteland where gasoline and h2o are scarce commodities, Fury Route follows Max Rockatansky, who joins forces with Imperator Furiosa to abscond from cult leader Immortan Joe and his regular army in an armoured tanker truck, leading to a lengthy road boxing.

Miller came on the idea for Fury Road in 1987; however, the motion picture was in development hell for many years with pre-product starting in 1998. Attempts to shoot the picture show in the 2000s were delayed numerous times due to the September eleven attacks, the Republic of iraq War and controversies surrounding star Mel Gibson, leading Miller to recasting Gibson's office of Max Rockatansky respectfully. Miller decided to pursue the film again in 2007, subsequently the release of the animated comedy Happy Feet. In 2009, Miller appear that filming would begin in early 2011. Hardy was bandage as Max in June 2010, with production planned to brainstorm that Nov. Principal photography was delayed several more than times before beginning in July 2012. The film wrapped in December 2012, although additional footage was shot in Nov 2013.

Fury Route premiered at Los Angeles on vii May 2015, and was released in Australia on 14 May. Although it is the highest-grossing Mad Max film, Fury Road underperformed at the box office, grossing $374.7 1000000 worldwide confronting its $154.six–185.1 million production budget and incurring overall losses of up to $20–xl million. Despite this, the film was praised by critics for Miller's direction, screenplay, action sequences, musical score, cinematography, editing, costume design, visuals, and its performances (particularly from Hardy and Theron). Considered one of the greatest action films of all fourth dimension[8] [ix] and one of the best films of the 2010s,[10] [11] Fury Road received numerous accolades, with ten Academy Award nominations at the 88th University Awards including Best Moving-picture show and Best Managing director, and won the almost awards of the anniversary with six awards for All-time Costume Blueprint, Best Production Pattern, All-time Makeup and Hairstyling, Best Flick Editing, Best Sound Editing, and Best Audio Mixing.

After a pay dispute between Warner Bros. and Miller delayed early on efforts to produce follow-up projects, a prequel, Furiosa, is set for release on 24 May 2024, with Miller returning as writer and director.

Plot [edit]

With the world becoming a desert wasteland following a societal collapse from warfare over resources, a survivor named Max Rockatansky is captured and taken to Immortan Joe'southward Citadel by his army of War Boys. Max is imprisoned and used as a "claret handbag" for a ill War Boy called Nux. Meanwhile, Imperator Furiosa, ane of Joe's lieutenants, is sent in her armoured "War Rig" to extract gasoline and ammunition. When Joe realises that his v wives are fleeing with her, he leads his regular army in pursuit of Furiosa, calling on the aid of nearby Gas Town and the Bullet Farm.

Nux joins the pursuit with Max strapped to his motorcar, and a battle ensues between the War Rig and Joe's forces. Furiosa drives into a sand tempest, evading her pursuers, except Nux, who attempts to sacrifice himself to destroy the Rig. Max escapes and restrains Nux, only the automobile is destroyed. Subsequently the storm, Max finds Furiosa repairing the Rig, accompanied by the wives: Capable, Cheedo, Toast, the Dag, and the Excellent Angharad, the last of whom is heavily pregnant with Joe'due south child. Max steals the Rig, but reluctantly agrees to allow Furiosa and the wives accompany him. Nux boards the Rig as it leaves and attempts to kill Furiosa, merely is overcome and thrown out, being picked upward by Joe'southward army.

Furiosa drives through a biker gang-controlled coulee, having bartered a deal for safe passage. The gang turns on her when they find Joe'due south army arriving, forcing her and the group to flee, while the bikers detonate the canyon walls to block Joe. Max and Furiosa fight off the pursuing bikers as Joe's car breaks through the blockade. Joe catches up with the War Rig, allowing Nux to board with the intent of attacking Furiosa again; he fails, to the thwarting of Joe. As the Rig escapes, Angharad falls off trying to help Max and is fatally run over by Joe'southward car. Furiosa explains to Max that they are escaping to the "Green Place", an idyllic land she remembers from her childhood. Capable finds Nux hiding in the Rig, and consoles him every bit he laments his failure. Furiosa and Max boring Joe'southward forces with mines, but Joe'southward ally, the Bullet Farmer, continues pursuit. After Furiosa shoots the Bullet Farmer, Max leaves to confront him and his men, returning with guns and ammunition. During the firefight, Nux emerges from hiding to help gratis the trapped Rig and joins the crew.

After driving the State of war Rig overnight through swampland and desert, the crew comes across a mysterious woman. Furiosa approaches her and states her history and clan affiliation. The woman summons her clan, the Vuvalini, who recognize Furiosa as 1 of their own who was kidnapped as a child. Furiosa is devastated to learn that the swampland they passed was indeed the Light-green Place, at present uninhabitable. The grouping then plans to ride across immense common salt flats in the hope of finding a new dwelling. Afterward seeing visions of a kid he failed to save, Max convinces them to return to the undefended Citadel, which has aplenty water and crops, and to trap Joe and his army in the bikers' canyon.

The grouping heads dorsum towards the Citadel and engage Joe's forces, with many of the Vuvalini and Joe's forces killed, and Furiosa gravely wounded. Joe positions his motorcar in front of the War Rig to slow it, while Max fights Joe's big adult son, Rictus Erectus. Joe captures Toast, who manages to distract him long enough for Furiosa to kill him. Nux sacrifices himself by wrecking the Rig, killing Rictus and blocking the canyon, allowing the group to escape in Joe'south car. Max transfuses his blood to Furiosa, saving her life.

Back at the Citadel, Joe's subjects rejoice when Furiosa shows them his dead body. Furiosa, the wives, and the Vuvalini are cheered by the crowd. Max and Furiosa both share a glance of gratitude before he leaves.

Cast [edit]

  • Tom Hardy every bit Max Rockatansky
  • Charlize Theron as Imperator Furiosa
  • Nicholas Hoult as Nux
  • Hugh Keays-Byrne as Immortan Joe
  • Rosie Huntington-Whiteley as The Splendid Angharad (wife)
  • Nathan Jones as Rictus Erectus
  • Riley Keough as Capable (wife)
  • Zoë Kravitz as Toast the Knowing (married woman)
  • Abbey Lee every bit The Dag (wife)
  • Courtney Eaton every bit Cheedo the Fragile (wife)
  • Josh Helman as Slit
  • John Howard equally The People Eater
  • Richard Carter every bit The Bullet Farmer
  • Angus Sampson as The Organic Mechanic
  • iOTA as The Doof Warrior
  • Megan Gale as The Valkyrie
  • Melissa Jaffer as Keeper of the Seeds
  • Melita Jurisic, Gillian Jones, Joy Smithers, Antoinette Kellerman, and Christina Koch as The Vuvalini
  • Quentin Kenihan every bit Corpus Colossus
  • Coco Jack Gillies every bit Celebrity the Child
  • Chris Patton as Morsov
  • Stephen Dunlevy as The Rock Rider Chief / The Winchman
  • Richard Norton as The Prime number Imperator

Production [edit]

Development [edit]

In 1987, George Miller came on the idea by making the 4th instalment have "virtually a continuous hunt";[12] however, plans for a fourth instalment in the Mad Max franchise hitting fiscal difficulties and the project spent several years in "evolution hell",[13] with the idea for a fourth instalment occurring to Miller in 1998 when he was walking in an intersection in Los Angeles. About a yr subsequently, while travelling from Los Angeles to Australia, the idea coalesced. Miller conceived a story where "violent marauders were fighting, not for oil or for material goods, but for human beings." The film was prepare to shoot in 2001 through 20th Century Play tricks, but was postponed because of the September xi attacks that aforementioned year.[7] [14] "The American dollar collapsed against the Australian dollar, and our budget ballooned"[15] Miller said, adding that he "had to move on to Happy Feet because there was a small-scale window when that was fix".[ commendation needed ] Mel Gibson, who starred in the original iii previous films, would not return to his role as the lead character. Miller ended up re-casting the role because of controversies surrounding Gibson and because he wanted Max to remain at a younger age, equally the "same contemporary warrior".[ citation needed ] The projection was given the dark-green light to begin filming in the Australian desert in May 2003 with a budget of U.s.$100 million, but the location was ruined by rainfall. Mad Max 4 then entered a hiatus in low-cal of security concerns related to its Namibian shoot considering of tightened travel and shipping restrictions at the onset of the Iraq War.[xvi] [17]

In November 2006, Miller stated that he intended to make Fury Road and that the motion-picture show was never going to involve Gibson: "There'due south a real hope. The terminal matter I wanted to do is another Mad Max, merely this script came along, and I'm completely carried abroad with it."[xviii] [19] The film's screenplay was co-written with cult British comic creator Brendan McCarthy, who also designed many of the new characters and vehicles.[twenty] Miller over again confirmed his intention to make another Mad Max at the 2007 Aurora filmmaker initiative. He stated that he thought Gibson would not be interested in the film because of his historic period.[21] [22] On 5 March 2009, it was appear that an R-rated animated feature film was in pre-product and would exist taking much of the plot from Fury Route, although Gibson would not be in the film and Miller was looking for a "dissimilar route", a "renaissance" of the franchise.[23] Miller cited director Akira Kurosawa as an inspiration for what he wanted to do with the franchise.[23] Miller was also developing an action-adventure tie-in video game based on the fourth film, along with God of War II video game designer Cory Barlog. Both projects were expected to take two to two-and-a-half years, according to Miller, with a release date of either 2011 or 2012.[23] Fury Road was going to exist produced at Dr. D Studios, a digital art studios founded in 2008 by Miller and Doug Mitchell.[23]

On eighteen May 2009, information technology was reported that location scouting was underway for Mad Max four, which "could go into production afterwards this year."[24] After exploring the possibility of an animated picture show, Miller decided instead to shoot a live-activity moving picture, and "has already had the various vehicles built for years now - every bit they were built for the doomed Fury Road shoot."[24] By this time, production had moved to Warner Bros.[7] In October 2009, Miller announced that principal photography on Fury Road would commence at Cleaved Hill, New South Wales in August 2010.[25] That same month, British actor Tom Hardy was in negotiations to take the lead function of Max, while it was also announced that Charlize Theron would play a major office in the film.[26] In June 2010, Hardy announced on Friday Nighttime with Jonathan Ross that he would play the championship role.[27] The part of Max had come up down to Hardy, Armie Hammer and Jeremy Renner, with Michael Fassbender, Joel Kinnaman, Heath Ledger and Eric Bana all being considered at various stages of development. Miller had also expressed involvement in casting Eminem in the role, merely Eminem didn't wish to leave the United States.[28] In July 2010, Miller announced plans to shoot 2 Mad Max films back-to-dorsum, entitled Mad Max: Fury Road and Mad Max: Furiosa.[29] Weta Digital was originally involved with the film when it was scheduled for a 2012 release.[30] The visitor was to be handling visual effects, conceptual designs, speciality make-up effects and costume designs until production was postponed from its Nov 2010 start date.[31]

In November 2011, filming was moved from Broken Colina back to Namibia, afterwards unexpected heavy rains caused wildflowers to grow in the desert of Broken Loma.[32] Other potential locations scouted included the Atacama Desert in Republic of chile, Chott el Djerid in Tunisia, and Azerbaijan.[33]

In a July 2014 interview at San Diego Comic-Con International, Miller said he designed the film in storyboard form earlier writing the screenplay, working with five storyboard artists. It came out as virtually 3,500 panels, almost the same number of shots as in the finished film. He wanted the film to be about a continuous hunt, with relatively little dialogue, and to have the visuals come starting time.[34]

Filming [edit]

Main photography began in July 2012 in Namibia,[14] with about of the filming based in the Dorob National Park.[35] Filming also took place at the Cape Town Film Studios in Cape Boondocks, S Africa.[36] [37] In October 2012, The Hollywood Reporter reported that Warner Bros. sent an executive to go on the production on track.[38] Filming wrapped on 8 December 2012, without any of the opening or closing scenes at the Citadel shot.[fourteen] In February 2013, a leaked typhoon from the Namibian Coast Conservation and Management Projection defendant the producers of dissentious parts of the Namib desert, endangering a number of constitute and animal species.[39] [twoscore] The Namibia Film Committee said it had "no reservations" later visiting the set during production. Information technology disputed claims reported in the media, calling the accusations "unjust rhetoric".[41] In September 2013, it was announced that the flick would undergo reshoots of the opening and endmost scenes at the Citadel, before standing on 22 Nov 2013 at Potts Loma and Penrith Lakes in Western Sydney,[42] and concluded in December 2013 at Fox Studios Australia.[36] [43]

Miller said that he did non feel that he had to acme the production design of the previous films in the series. Instead, he wanted the production design to harken back to the earlier films and reflect the changes of the past 30 years. Colin Gibson, the production designer, said that they adult an internally consistent history to explicate the motion picture's look and justify its utilise of hot rods.[44] Gibson designed the film's vehicles, all of which are fully functional.[45] Construction of some of the vehicles began as early as 2003.[46] 150 vehicles were constructed, with merely 88 surviving to the stop of filming. The ones that did not last were made for destruction, with some designed to snap in half.[47] The War Rig, the pic'southward about prominent vehicle, was made by combining a Tatra 815 and Chevrolet Fleetmaster and fusing a Volkswagen Beetle to the hull, among other modifications.[47] [48] The cars were designed to show characterisation and detail in the world, including the characters' feelings of guilt, loss and their attempts to recycle the remains of civilisation.[45]

Cinematographer John Seale came out of retirement to shoot Fury Road.[49] He replaced Dean Semler, the cinematographer of the previous two films, who left the pic over the end of its preparation period.[50] Seale outfitted his photographic camera crew with six Arri Alexa Pluses and four Alexa Ms, equally well equally a number of Canon EOS 5Ds and Olympus PEN E-P5s that were used every bit crash cams for the activity sequences.[51] Information technology was the first time Seale shot with digital cameras.[50] Because of the fast nature required for edits, Miller asked Seale to continue the focus of the shot centered for each scene, thus allowing the audience to speedily orient towards it.[52]

Miller said that 90% of the effects were practical.[53] Both the Doof Carriage and the Doof Warrior'south guitar are fully functional—none of his scenes was rendered in CGI—while the Doof Warrior's guitar shoots fire.[54] Second unit director and supervising stunt coordinator Guy Norris was in charge of over 150 stunt performers, which included Cirque du Soleil performers.[55] Miller invited playwright Eve Ensler to deed as an on-set adviser. Impressed with the script's depth and what she saw as feminist themes, she spent a calendar week in Namibia, where she spoke to the actors about issues of violence against women.[56] Hardy would explain that he had a hard fourth dimension seeing Miller'southward vision, which frustrated him; nevertheless, one time seeing the finished production, he started his Cannes press conference with a lengthy apology to Miller, calling him "bright".[57]

Post-production [edit]

Mad Max: Fury Road contains 2,000 visual effects shots.[58] The lead effects company was Iloura, who delivered more than 1,500 effects shots for the moving picture.[59] Additional visual effects studios that worked on the film include Method Studios, Brave New World vfx, Stereo D, 4DMax, BlackGinger, The Third Floor, and Dr. D Studios.[threescore] [61] Miller recruited his married woman, Margaret Sixel, to edit the motion picture, as he felt she could brand it stand out from other action films.[62] Sixel had 480 hours of footage to edit, which took three months to watch.[63] The film contains about 2,700 cuts of its entire running length.[Northward i] [64] The frame rate was also manipulated, as Seale said that the picture'southward frame rate is "something like l or 60 percent [...] is not running at 24 frames a second, which is the traditional frame rate," and the picture will be "running below 24 frames because George, if he couldn't empathise what was happening in the shot, he slowed it down until y'all could. Or if information technology was too well understood, he'd shorten it or he'd speed information technology upward back towards 24. His manipulation of every shot in that picture show is intense."[65] The Washington Post would afterwards note that the irresolute frame rate gave the film an "nearly cartoonishly jerky" look.[66] The extensive effects work included altering lighting and time of day, weather effects, terrain replacement and plate composition.[67]

Audio designer Mark Mangini stated that he viewed the War Rig as an apologue for Moby-Dick with Immortan Joe playing the role of Helm Ahab. As such, the mechanical truck sounds were layered with whale calls to provide a more brute-similar quality to the truck. When the tank is pierced with harpoons and milk sprays out, the sound of whale blow-holes were used. For the last destruction of the War Rig, the simply sounds used were slowed downward bear growls to symbolise the decease of the truck as a living beast.[68]

Miller was contractually obligated to deliver a PG-xiii motion picture.[5] Notwithstanding, Warner Bros decided to held test screenings for two different versions: studio cutting and Miller cut. Miller cut tested better than studio cut, so Warner Bros decided to release Miller from the contractual obligation of making a PG-thirteen film. [69]

Music [edit]

The musical score for Mad Max: Fury Route was written by the Dutch composer Junkie Forty.[70] Prior to Junkie Xl'southward involvement, Hans Zimmer, John Powell, and Marco Beltrami were fastened at split times to score the moving-picture show.[71] [72] A soundtrack album was released by WaterTower Music on 12 May 2015.[73]

Themes [edit]

Survival and humanity [edit]

Miller describes the film'south key theme is survival, and his reason that is "why the American Western was such a staple for the better function of a century in American cinema."[74] The primary theme of Mad Max: Fury Road is survival and memory of humanity in the face up of apocalyptic events.[75] [76] As survival was the underlying goal for Max,[77] the theme has been carried over from the previous instalments of the serial that as well highlight issues such every bit ecological collapse and moral decadence.[78] The theme of humanity is illustrated by Max, who begins the film as the survivor haunted by visions of deceased people, then recovers his former dignity past partnering with Furiosa.[77]

Feminism [edit]

Feminism is another theme that has received academic attending.[79] Charlize Theron as Furiosa is a dramatic middle for the film.[14] Throughout the motion picture, her character demonstrates the physicality of a hero committed to a rescue mission, which "sets up the start of a matriarchy equally an antidote to the barbarian, warlike tribes that came before".[lxxx] These elements dissimilarity this film with the male-centered hero in the previous Mad Max films.[81]

Other themes [edit]

Director George Miller described the film equally "a very simple allegory, nigh a western on wheels".[82] Further themes pointed out by critics have included vengeance, solidarity, home, and redemption.[83] Similar to the previous Mad Max films, home has been regarded as a central theme in Mad Max: Fury Road equally it dominates the motivations of Max, Furiosa, and the 5 Wives: his home was destroyed, she was taken from her abode, and the wives are in search of a new home to raise their children.[84] The unity of these characters likewise harnesses a business for family, a common theme within Miller's films—including Happy Feet, Happy Anxiety ii, and Babe: Sus scrofa in the City.[85]

Release [edit]

Comic books [edit]

In May 2015, Vertigo began publishing a comic book prequel limited series, with each issue focusing on the backstory of one or two of the picture's characters, and consisting of iv issues. The starting time effect, titled Mad Max: Fury Road – Nux and Immortan Joe #ane, was released on 20 May; the second, Mad Max: Fury Road – Furiosa #1, was released on 17 June; the third, Mad Max: Fury Road – Mad Max #1, was released on eight July; and the 4th and final event, Mad Max: Fury Road – Mad Max #2, was released on 5 August.[86] [87] A deluxe-edition hardcover collection of fine art inspired by the film, titled Mad Max: Fury Road – Inspired Artists Palatial Edition, was released on half dozen May by Vertigo.[86]

Theatrical [edit]

Mad Max: Fury Route had its earth premiere at the TCL Chinese Theatre in Los Angeles on 7 May 2015.[88] On 14 May, it screened out-of-contest at the 68th Cannes Film Festival,[89] and was theatrically released in the U.s. the next day.[90]

Home media [edit]

Miller stated that the Blu-ray Disc release would include blackness-and-white and silent versions of the film, with the latter accompanied past the musical score. Miller described the black-and-white cut as the all-time version of the film.[91] [92] Withal, when details for both the United kingdom and United States releases of the Blu-ray were announced, the alternate cuts were absent.[93] [94] Producer Doug Mitchell in December 2015 confirmed that the black-and-white version existed and could potentially run across a future theatrical release.[95] In January 2016, Miller announced that the black-and-white versions would appear in some other DVD release.[96]

The pic was released on Blu-ray and DVD in the United Kingdom on 5 October 2015.[97] In the United States, the film was released digitally on eleven August 2015, and physically on one September. In addition to the stand-alone release, a box set containing all iv Mad Max films and a documentary almost the series titled "Madness of Max" was released the same day.[98] In October 2016, the black-and-white version of Fury Route, called Mad Max: Blackness & Chrome, debuted in the Mad Max: High Octane anthology. The Black & Chrome version was made without the involvement of cinematographer John Seale, simply Seale stated that the idea was "beautifully dramatic" and that he thought "the new version volition emphasise" the actors' performances.[99]

Dwelling house media editions of Mad Max: Fury Road were among the top-selling video titles in the United States in 2015 and 2016.[100] [101] Equally of 2020[update], over three 1000000 copies have been sold, for a total revenue of $55.eight million.[102]

Reception [edit]

Box office [edit]

Mad Max: Fury Road grossed $154.1 million in the United States and Canada, and $221.iii million in other territories, for a worldwide total of $375.4 million,[6] confronting a production budget of $154.6–185.1 one thousand thousand.[five] While the film notwithstanding fabricated a turn a profit, information technology didn't quite meet its expectations.[103] The Hollywood Reporter calculated that the loss incurred by the film was around $20–40 million.[104]

In the United States and Canada, Mad Max: Fury Route was released alongside Pitch Perfect 2 [105] from across 3,702 theatres, and earned $16.77 million on its opening solar day;[106] this included $three.7 one thousand thousand it made from Thursday night run from 3,000 theatres.[107] [108] In its opening weekend, the moving picture grossed $45.4 million, finishing in second at the box function behind Pitch Perfect 2 ($69.ii 1000000).[109]

Critical response [edit]

The performances of (left to right) Theron and Hardy were praised.

On the review aggregator website Rotten Tomatoes, 97% of 435 critics' reviews are positive, with an average rating of 8.60/ten. The website's critical consensus reads, "With exhilarating activeness and a surprising corporeality of narrative heft, Mad Max: Fury Road brings George Miller's post-apocalyptic franchise roaring vigorously dorsum to life."[110] Metacritic, which uses a weighted average, assigned the motion-picture show a score of 90 out of 100 based on 51 critics, indicating "universal acclaim".[111] Audiences polled past CinemaScore gave an average grade of "B+" on an A+ to F scale.[107]

Robbie Collin of The Daily Telegraph gave the film a full v stars and praised its acting, screenplay, choreography, stunts, humor and direction, describing it as a "Krakatoan eruption of craziness".[112] In The Guardian and awarding the film four out of five, Peter Bradshaw wrote that it is "extravagantly deranged, ear-splittingly clinking, and entirely over the top", a "bizarre convoy chase activity-thriller in the post-apocalyptic desert".[113] Lindsay Bahr of the Associated Printing described the film as "radically visionary".[114]

IGN reviewer Scott Collura gave the film 9.2 out of 10, describing "the over-the-top stunts and eccentric characters and designs are all hugely important to Fury Road, every bit are the troubled figures like Max himself and Furiosa, but it's the overriding sense of the motion-picture show'due south uniqueness, its striving to be something more than than but another action movie, that is virtually impressive."[115] Richard Roeper of the Chicago Sun-Times gave the film iv out of four and wrote that Theron and Hardy are "one of the best activity duos always, in ane of the all-time activity movies".[77] Similarly, Rolling Stone 's Peter Travers called the film "a new action classic", with particular praise towards its editing, costumes and soundtrack.[116] Mick LaSalle of the San Francisco Chronicle wrote a mixed review, praising the cinematography and Theron's performance, but perceiving the moving picture as a "long, ho-hum chase".[117]

The film has been praised by scholars on several fronts. Women's studies scholars take praised the ascendant role taken by Furiosa and the range of atypical female roles, including the wives and the gun-toting Vuvalini,[118] and disability studies scholars have commended its positive, non-stigmatising portrayals of physical and psychological disabilities.[119] Several critics accept named Mad Max: Fury Road one of the greatest action films ever made.[120]

Mad Max: Fury Road was listed on over 170 film critics' top-10 lists for 2015, including 58 offset-identify rankings and 26 2d-place rankings.[121]

Accolades [edit]

Mad Max: Fury Road was named 1 of the best films of 2015 by numerous critics and publications, and was named Rotten Tomatoes' best scoring movie of 2015.[122] [123] The film topped Metacritic's tally of film critics yr-terminate best film lists, with 58 critics naming it their best film of the twelvemonth.[124] Mad Max: Fury Road was named the nineteenth-greatest film of the 21st century in a 2016 BBC critics' poll.[125] In 2017, it was named the "nineteenth-best moving-picture show of the 21st century and then far" by The New York Times.[126] In January 2020, Empire voted it as the best motion-picture show of the 21st century.[127]

It appeared on numerous best films of the decade lists, ranked first on The A.5. Gild critics' list of "100 all-time movies of the 2010s,"[128] ranked third on Multifariousness 's "The All-time Films of the Decade,"[129] and ranked ninth on The Hollywood Reporter 's The 10 Best Films of the Decade.[130] Information technology also appeared (unranked) on The New York Times ' "The 10 Almost Influential Films of the Decade (and 20 Other Favorites)",[131] Wired 's "The 24 Accented All-time Movies of the 2010s",[132] and the Los Angeles Times ' "all-time movies of the decade: Kenneth Turan and Justin Chang's essential picks".[133] In Metacritic's tally of lists of the all-time films of the decade, it appeared on and topped more lists than any other flick, with 20 critics placing it at number i.[134]

The film received 10 nominations at the 88th Academy Awards, including Best Pic and Best Director, and won 6 Academy Awards for Best Film Editing, Best Product Blueprint, Best Costume Design, Best Makeup and Hairstyling, Best Sound Mixing and Best Sound Editing, surpassing all other films at the awards ceremony,[135] and bankrupt the record for the nigh wins for an Australian moving picture, previously held by The Piano (1993), which won three Oscars.[136]

Future [edit]

During the writing process for Fury Road in 2011, Miller and McCarthy found that they had enough story material for 2 additional scripts.[137] In March 2015, during an interview with Esquire, Hardy revealed that he was attached to star in three more than Mad Max films post-obit Fury Road.[138] Miller told Wired in May 2015 that if the motion-picture show becomes successful, he will tell the other ii stories.[139] Later that month, Miller revealed that plans for the sequel had changed and the fifth film in the franchise will instead exist titled Mad Max: The Wasteland.[140] [141] That Oct 2015, Miller'southward squad had scripts for ii sequels.[142]

Later that month, Miller clarified that Mad Max: The Wasteland was a working title for the sequel.[143] Miller reaffirmed his intent to go along the franchise after reports to the contrary surfaced.[144] In Nov 2017, it was reported that a lawsuit filed by Miller's product company against Warner Bros. over a disputed $7 million bonus was likely to delay the production of whatsoever sequels.[145] In July 2019, Miller told IndieWire that iii films are being considered: ii Mad Max stories and a Furiosa story.[146]

In Oct 2020, a prequel, titled Furiosa, entered "advanced development" at Warner Bros., with Miller ready to straight. Anya Taylor-Joy has been bandage to portray a young Furiosa, while Chris Hemsworth and Tom Shush will too star in unspecified roles. Miller will co-write the screenplay with Nico Lathouris, while Miller and Doug Mitchell volition produce through their Kennedy Miller Mitchell banner.[147] In Dec 2020, Warner Bros. appear that the film will be released on 23 June 2023, which was later pushed back to 24 May 2024.[148] [149] In a February 2021 interview, composer Junkie 40 confirmed that he would return to produce the score for Furiosa.[150]

Notes [edit]

  1. ^ Equivalent to 22.5 cuts per minute compared to The Road Warrior 's i,200 cuts of its xc-infinitesimal running time equivalent to xiii.33 cuts per minute.[64]

References [edit]

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  149. ^ D'Alessandro, Anthony (x September 2021). "Warner Bros. Moves 'Mad Max' Spinoff 'Furiosa' To Memorial Solar day Weekend 2024; 'Salem's Lot' To Debut Early on Fall 2022". Borderline . Retrieved 11 September 2021.
  150. ^ Ames, Jeff (1 March 2021). "Junkie Twoscore Announces Return for Furiosa, Plus Justice League". ComingSoon.net. Archived from the original on 1 March 2021. Retrieved 1 March 2021.

Works cited [edit]

  • Martin, Adrian (2003). The Mad Max Movies (Australian Screen Classics). Currency Press. ISBN978-0868196701.

External links [edit]

  • Official website
  • Mad Max: Fury Road at IMDb
  • Mad Max: Fury Route at AllMovie

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Source: https://en.wikipedia.org/wiki/Mad_Max:_Fury_Road

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